![]() ![]() ![]() ![]() This version also added the ability to keep the pitch of the record constant whilst shifting the tempo. The next major revision was version 1.5, which added a Windows XP version, but dropped Linux support. This version was once again available on Linux, but was also ported to Mac OS X. As the name suggests, this bore a resemblance to the interface of Traktor, a Native Instruments software DJing product. ![]() With version 1.1, Stanton Magnetics began working with Native Instruments on the software side of the product, which became Traktor Final Scratch. It was relatively primitive but some users found that, if configured correctly, it outperformed all subsequent versions of Final Scratch 1.x. įS 1.0 was released for PC only, on a specially modified distribution of Debian Linux. However, the same chipset was being used in several other USB audio devices manufactured by companies like Griffin and Roland at that time. The technical specifications of this device have been closely guarded by Stanton as an anti-piracy measure, though some users, unsatisfied with the latency and instability of the system, have alleged the use of faulty Philips sound chips which had already been withdrawn from the market. These stages are marked by involvement with different companies, hardware configurations, software developers, licensees and licensors, and operating systems.įinal Scratch was originally developed for BeOS.Īll versions of Final Scratch 1 use the same Scratchamp, a USB and RCA device in a round aluminium shell. It has passed through multiple stages of development. The original Final Scratch concept and prototypes were developed by the Dutch company N2IT V.O.F, by Mark-Jan Bastian, with help from Tim Hemel and Bill Squire. However, it comes at the expense of reliability depending on the hardware/software configuration used, vinyl emulation systems may use more system resources than some laptops or PCs offer, making them unsuitable for this use. Furthermore, it allows the use of CD deck features (software permitting) such as keylock, pitch shift, looping, instant cue locating and visual indicators of audio features such as loud or quiet parts, and the ability to prevent needle skips on the vinyl being reflected in the playback of the audio track being played/controlled (software permitting). pre-arranged loops, unreleased music or rare tracks. In practical terms, this means that any audio file can be manipulated as though it was pressed on vinyl.įinal Scratch offers the ability to play audio tracks unavailable on vinyl e.g. This information is interpreted by the computer and used to play back a digital audio file which has been 'mapped' to the turntable. The signal represents where the stylus is on the record, in which direction it is traveling, and at what speed. The timecode signal is interpreted by a computer, connected to the turntables through an interface called the ScratchAmp. It seeks to cross the divide between the versatility of digital audio and the tactile control of vinyl turntablism.įinal Scratch uses special vinyl records pressed with a digital timecode, which are then played on normal turntables. ( Learn how and when to remove this template message)įinal Scratch is a DJ tool created by the Dutch company N2IT with input from Richie Hawtin (aka Plastikman) and John Acquaviva that allows manipulation and playback of digital audio sources using traditional vinyl and turntables. ( September 2020) ( Learn how and when to remove this template message) Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. This article possibly contains original research. ![]()
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